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[古典] VANESSA-MAE - The Violin Player (1995) (2004 Reissue) 陈美 - 小提琴神话

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发表于 2021-4-11 09:27:19 | 显示全部楼层 |阅读模式
Vanessa-Mae / The Violin Player


音乐气概: Techno/Pop, Electronic, Classical
刊行时候: 1995/2004
厂牌编号: EMI 07243 5 78437 2 0
时长: 42:54
资本格式: ISO (*.iso)
编码: DSD 2.8 MHz
声道: 2.0,5.1

简介:
Vanessa-Mae was just a teenager when her major-label debut, The Violin Player, was released. This may account for her ability to successfully fuse old-world classical styles with a contemporary new age sensibility. She comes out scorching on the Bach classic “Toccata and Fugue in D Minor,” showing off her world-class talent as a revolutionary violinist. The new arrangements by producer Mike Batt add a flavorful world music appeal that both compliments and showcases her masterful skill. While all ten tracks are performed as instrumentals, Vanessa-Mae manages to squeeze every ounce of passion out of a note, transcending the necessity for lyrics. Her ability to play off of other instruments is brought to the forefront on the final track “Red Hot.” She goes toe to toe with a forceful electric guitar and her four-string violin leaves the challenging six-string in the dust. This record will delight those who are bold enough to challenge themselves by listening to a collection of songs that defy standard genre classifications.

陈美是现今少数成功的前卫小提琴演奏家之一,她那狂野奔放的新新人类形象横扫风行和典范两界,征服无数年轻乐迷,那一把电子小提琴更是艳光迸射,可以狂飙出使人血脉贲胀的结果。实在,陈美的“离经叛道”形象在乐评界一向见仁见智,有人惊奇、有人激赏,也有人誓死难以接管。但是透过唱片公司标新创新的包装背后,明眼人都可以看出陈美一身踏实的小提琴根基功。
这张CD,即可反应出她对古典传统作品的触觉和修为,叫不曾深入领会陈美另一面的人大跌眼镜。 托卡塔与赋格[原曲:巴哈/小提琴与电子小提琴混音改编版]及其他九首爵士、风行绝对生猛作品。她说:BEETHOVEN(贝多芬),BEATLES(披头士),PAGAGNINI(帕格尼尼)与PRINCE(王子)我都喜好.是我喜好的,我就演奏....

以下先容来自Amazon:
Vanessa-Mae, vehemently opposed to any "compartmentalising of music", describes the material on this album as "techno-acoustic fusion". As far as instrumentation and recording techniques go, that's a pretty fair description. But when the subtitle is "The Classical Album" , Vanessa-Mae and her producer/composer Mike Batt (of Wombles fame) stand accused of misleading their audience. Apart from the opening "Toccata in D", one of the prodigy Vanessa-Mae's favourite show pieces, all tracks are original compositions, most of them by Batt. What we hear are contemporary, poppy pieces, rock drum and keyboard-based, and tailor made for Vanessa-Mae's high-energy yet delicate virtuosity. The fact that the talented Batt is audibly influenced by Michael Nyman does not make his compositions more "classical", but thankfully steers them out of the tedious realm of "Classic Rock". "Widescreen" is a track where the Mae-Batt synthesis works very well; both violinist and producer making the most of the technology-meets-tradition concept. Some of this is film score material, some shopping-mall ear drum fodder, other tracks yet again, revisit Mike Oldfield's old pastures--it is a matter of discussion whether this album "defies all labelling" or simply makes a point of wooing them all in pursuit of the widest possible audience. Hence the "wet T-shirt", sorry, "glistening Sea-Nymph" photo of Vanessa-Mae on the sleeve.

曲目:
           
1. Toccata And Fugue In D Minor [07:51]
2. Contradanza [03:52]
3. Classical Gas [03:24]
4. Theme From ‘caravans’ [05:08]
5. Warm Air [03:41]
6. Jazz Will Eat Itself [03:32]
7. Wildescreen [04:00]
8. Tequila Mockingbird [03:29]
9. City Theme [04:34]
10. Red Hot [03:18]

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发表于 2021-4-11 10:31:53 | 显示全部楼层
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发表于 2021-4-12 18:18:24 | 显示全部楼层
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发表于 2021-6-17 21:23:47 | 显示全部楼层

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发表于 2021-6-18 18:07:50 | 显示全部楼层
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发表于 2021-6-23 10:18:44 | 显示全部楼层
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